Kandinsky paintings essay


kandinsky paintings essay

Lipchitz, André Masson, Max Ernst, André Breton, were just a few of the exiled Europeans who arrived. The analogy with music is quite clearsound in music (like a C note) is analogous to "light" in painting, "shades" to dynamics, and "coloration" is to painting as the specific timbre of musical instruments is to music. With origins in the Middle Ages and Ancient Greek/Roman art, still life paintings give the artist more leeway in the arrangement of design elements within a composition than do paintings of other types of subjects such as landscape or portraiture. Gouache edit Gouache is a water-based paint consisting of pigment and other materials designed to be used in an opaque painting method. Abstraction in Paris and London edit During the 1930s Paris became the host to artists from Russia, Germany, the Netherlands and other European countries affected by the rise of totalitarianism. In the drip paintings Pollock eliminated all symbols and signs; only the gesture itself remained as a mythic metaphor. Recent contributions to thinking about painting have been offered by the painter and writer Julian Bell. Sophie Tauber and Jean Arp collaborated on paintings and sculpture using organic/geometric forms. In a February 1944 interview, Pollock stated that his paintings contained no intentional references to images from Native American art, although he conceded that when working intuitively images might emerge from one's unconscious, but via free association not as a deliberate iconography.

In this way it set a precedent for the scale of Pollock's celebrated drip paintings. In creating works like Cathedral and Number 1 1948 (1948, moma, New York Pollock laid his canvas on the floor and used his brushes like sticks, hovering just above the surface but never touching. Despite this, these works remain conceptually linked to the imagistic works in that they were self-consciously "composed in the case of Mural, Pollock deliberately organized the composition around Benton's system of curves and countercurves. In, male and Female the geometry serves that purpose; later, Pollock developed the "allover" composition to solve this structural problem.

Paul Cézanne had begun as an Impressionist but his aim to make a logical construction of reality based on a view from a single point, 14 with modulated color in flat areas became the basis of a new visual art, later to be developed into. Over the next four years this idea increasingly dominated not only the content of Pollock's work charismatic leadership essay but the evolution of his style; as the gestures grew more genuinely automatic, it became necessary to devise some new means of balancing the composition. Veduta edit A veduta is a highly detailed, usually large-scale painting of a cityscape or some other vista. If one defines rhythm as "a pause incorporated into a sequence then there can be rhythm in paintings. The heritage of painters like Van Gogh, Cézanne, Gauguin, and Seurat was essential for the development of modern art. Page needed Encyclopedia Encarta Archived t the Wayback Machine. György Kepes, Sign, Image and Symbol, Studio Vista, London, 1966 Derek Hyatt Meeting on the Moor Modern Painters, Autumn 1995 Simon Leys, 2013. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. Lastly, as a union of painting and music comes poetry, where the sensuous element is more than ever subordinate to the spirit." Excerpted from Encyclopdia Britannica 1911 Franciscono, Marcel, Paul Klee: His Work and Thought, part 6 'The Bauhaus and Düsseldorf chap. Pollock did believe in the collective unconscious and in the course of free association he may have called up and used individual images from material he read or heard about during his Jungian analysis.



kandinsky paintings essay

Colors and Shapes Kandinsky felt that he could express feelings and music through colors and shapes in his paintings.
For example, he thought that yellow had the crisp sound of a brass trumpet and that certain colors placed together could harmonize like chords on a piano.

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